Welcome to Caroline
Pitcher's web-site.
I have a new website at https://carolinepitchercouk.wordpress.com/
On Thursday July 4th, a sumptuous new edition of Mariana and the Merchild,
was published by Otter-Barry Books. This is my re-telling of a Chilean folk-tale
about kindness, fostering and making a difficult choice.
It's also a love poem to the ocean, stunningly illustrated by Jackie Morris.
You don't have to be a prince or a princess to star in a folk tale. Remember
Jack? He was poor and somewhat gullible. He sold his mother's cow for a few
magic beans. She was livid and hurled them away. Lo! a giant beanstalk grew.
First written down in 1734, this folk tale has countless retellings with new
shoots from the stem of the story. In a recent retelling, the Giant's wife
even teaches Jack how to cook healthy meals… Folk tales don't have sacred
or religious significance. They tell of everyday problems, such as how to
harvest that Enormous Turnip. They demonstrate decent behaviour. If you didn't
help The Little Red Hen earlier, don't expect to eat her delicious fresh bread.
Folk tales seem simple, yet there's a sense of something mysterious waiting
around, like Led Zeppelin's bustle in your hedgerow. The tales encourage empathy,
protected community and culture. They are rarely judgemental and are still
relevant so that in today's classrooms, children can talk about the tales,
tell their own versions and act out the story lines. Folk lore has inspired
novels, such as those by Catherine Fisher, Susan Cooper, Alan Garner and Katherine
Langrish. Sometimes they weave in and out of narratives. Berlie Doherty's
The Haunted Hills references a local tale of `the Lost Lad' and Linda Newbery's
novel Lob for younger readers has a hybrid Green Man/Hob character. (Talking
of hobs, the one who lives in the high cliffs at Runswick Bay can cure your
child's whooping cough if you ask in the right way. Now that whooping cough
is back, I sense a contemporary retelling lurking here...) Archetypes from
folk tales swim, leap, fly, crawl, lumber and shape-change through stories
all over the world, making them immediate to strangers from other cultures,
changing and developing with each teller, listener or reader. They are passed
from generation to generation, as if a song is sung over and over again but
never the same way twice. They are often specific to a locality. The tale
of the Shetland selkie differs from that of the Orkney selkie. Not too far
away, the unruly Blue Men of Minch swim around the Hebrides. Merfolk swim
through the endless sea in many cultures. Even near my home, far from any
sea, a mermaid lives in a bottomless pool at Blake Mere and it is said cattle
will not drink from that pool. I loved writing Mariana and the Merchild based
on a folk tale from Chile, where the Mermaid is known as La Pincoya, sometimes
blond and suntanned. You don't mess with her. She rescues shipwrecked sailors
and advises on the abundance of fish stocks by dancing on the beach in a dress
of seaweed. If the news is good, she dances facing out to sea, landwards if
not. After reading this Chilean tale, I wanted to tell it differently and
I wasn't going to kill off the old woman in the end, either. Folk tales were
told to listeners of all ages. Picture books can be shared with children and
adults and they have the added joy of illustrations. I hope my words will
beguile their listeners and offer opportunities to the artist. In my telling
and Jackie Morris's wonderful illustrations, our Mermaid isn't blond and suntanned
or out of a Disney film. Her hair flames red, she has polished mother-of-pearl
skin and opal eyes. After a storm fronted by sea-wolves, old Mariana ventures
out of her ramshackle hut and finds a baby in a crab-shell cradle. She hears
someone singing, but not words from this world and is confronted by an awesome
Mermaid as tall as a mast. This is a folk-tale and so there are conditions;
if the old woman cares for the Merchild until the seas calm, the Mermaid will
return each day to breastfeed her baby and teach her to swim. Mariana does
as she is asked. It is the happiest time of her life, until she must face
a hard choice. The Mariana Trench is 11 km down in the Pacific. It is an abyss
where two tectonic plates meet. It shelters and protects diversity. Perhaps
it is here that life on earth began? Well, Mariana shelters and protects the
Merchild and so her name befits her. In our story, there are themes of kindness,
loneliness and friendship. The village children are slightly scared of old
Mariana and creep behind her, pulling faces. When they witness her kindness,
they become her friends and are generous in return. A sense of fairness flows
through folk tales wherever they spring from. Mariana and the Merchild speaks
of loving relationships, of caring, of friendship, fostering and protection,
all the way across the world and down the years to us.
A HUGE thank you to Charlotte Hayward and her class from St Louis Catholic
Primary School in Frome, Somerset! They have sent me their wonderful responses
to Lord of the Forest. There are setting descriptions, diary entries and even
a letter from Tiger to his Mum. I've enjoyed reading your delightful writing,
Year 2, so thank you again, from Caroline x.
I have been blogging!
The new supersize Lord
of the Forest was published by Graffeg
on September 15th
'Beautifully produced in a large format, this fable, richly imagined
in both the lyrical words of the text and the stunning, large scale watercolour
illustrations, is a book to treasure.'
Julia Eccleshare M.B.E Read the full review in Love
Reading
'This book is so beautiful, it is impossible to do it full justice here.
Caroline Pitcher’s lyrical text is a rich texture of descriptions and figurative
language, her use of metaphors, alliteration and onomatopoeia weaving the
mesmerising rhythms of nature into the story: ‘the grass growing’, ‘the shudder
of branches’, ‘the curling of Chameleon’s tongue’; crabs creep, fish flip,
Tiger’s paws are ‘scimitar claws’...Ultimately, Lord of the Forest is a uniquely
beautiful picture book to be read, looked at, enjoyed and contemplated by
a universal audience and one which I strongly recommend..' Reviewed
by Barbara Valentini in Best
Books for Schools
'Elegance and humility reign both in Caroline Pitcher’s lyrical telling
and Jackie Morris’s awesome art. Jackie’s stunning watercolours immediately
breath life into the creatures she portrays: the dignity and grace of the
tiger in particular is palpable, while Caroline Pitcher’s poetic narrative
truly transports us to the forest habitat with its magnificent sights and
mellifluous sounds. This enlarged edition of a book first published 18 years
ago seems even more beautiful than the original. Sheer joy to read aloud,
it’s one to add to family bookshelves and classroom collections.'
Reviewed by Jill Bennett in Red
Reading Hub
Graffeg partners with Wild
Cats Conservation Alliance
We're so excited to announce our new partnership with Wild Cats Conservation
Alliance. With every purchase of Lord of the Forest or Arglwydd y Fforest
(Welsh edition translated by Mererid Hopwood) on our website using the code
'WildCats' we will donate £4 to this charity.
WildCats Conservation Alliance is an initiative of the Zoological Society of London (ZSL) and Dreamworld Wildlife Foundation (DWF) channeling public and zoo support for wild tiger and Amur leopard conservation projects. To date, WildCats has mobilised over £4m in support of 103 monitoring, protection, conflict resolution, firefighting and awareness-raising projects.
Currently, WildCats supports projects in 5 tiger range countries within Asia.
It works with implementing partners whose projects are regularly, independently,
reviewed providing supporters with the confidence that their money is being
used effectively.
'For something genuinely awe-inspiring, try
Lord of the Forest.......this unforgettable story about
a tiger could stop even the stroppiest of infants in their tracks.' (Nicholas Tucker in The Independent) |
'I defy anybody's head not to turn at this magnificent
picture book.' (Emma Shaw in the Derby Evening Telegraph) |
'Caroline Pitcher's language is as measured as a tiger's
footfall......repetition, alliteration, and rhyme hidden in the prose all
contribute to the "tigerliness" when reading aloud......Jackie
Morris's drawing is skilful and accurate' (INIS - Children's Books Ireland) |
'The best animal picture book of the season is Lord
of the Forest...... Ms Morris's illustrations are lavish and painterly,
and the story—who exactly is the king of the jungle?—holds the reader in
suspense until the very last page.' (The Economist) |
'beautiful watercolours distinguish this quiet story
about grace, humility and identity' |
And an extra Thank You!
to Isobel for reviewing |
|
the updated edition of 11 o'Clock Chocolate Cake. published by Cybermouse |
the updated edition of Mine,
again published by Cybermouse, with artwork by Emma J Graham. (Times 'Top Teen Book') |
'What a joy to read! A great book for teenage girls, that had me constantly laughing aloud..... Sadness, tears, joy, depression and anger all take turns to feature. The layout is rather unusual....... the nicknames are very funny...... I loved this book, and read it in three days....... It's like an older version of a Jacqueline Wilson story, but with a few added twists, that keep you guessing until the end.' (a young reviewer in Education Otherwise) '...a delicious slice of teenage life. Readers will be engaged at once..... Great stuff.' (Adèle Geras in Times Educational Supplement) This is a real giggle about the most important things in life - friendship and food!' (Mizz)
|
'an unusually moving story of a girl unwillingly
tuned into lamenting voices from thr past ...remarkable' (The Times) 'Fine poetic writing, a moving, ambitious book.' Berlie Doherty, choosing Mine in 'I wish I'd writen... (Books for Keeps) |
Click here to read more rave reviews |
Tiny Tiger is with us |
Foyles
are an efficient and reasonable firm who will send you books and pay
their taxes.
But if you are anywhere near Cromford visit Scarthin
Books.
< |
11 o'Clock Chocolate Cake (New Edition) Mine (New Edition) The Dolphin Bracelet The Shaman Boy and Ghost in the Glass are all now available on Kindle: |
I loved to see this mention of my favourite bookshop (Scarthin
of Cromford) in the Guardian www.guardian.co.uk/independent-bookshops
Obi's Umbrella is my story
in Moonlight Tales. |
My story Catch a Falling Star about a Narwhal called Nakkertok is in ON A STARRY NIGHT. |
My Story Dog Star is about
Chookie, a blue-eyed husky pup, and is in the Winter Wishes anthology. |
Maybe I've read Once in a Blue Moon,
That's What I Want or The Bit
of Everything Dog to you in Assembly? They're in Wow! 366 which has now raised over £30,000 for ChildLine. So if School bought a copy, thank you! |
My story 'Wakes' appears in In
The Frame, an anthology of young adult stories from the 3 counties,
published
|
'The Dolphin Bracelet' appears
in Like Mother, Like Daughter? an anthology for mothers and daughters. 'In this delightful collection... Caroline Pitcher strikes a poignant note in the story of a family holiday with a terminally ill mother' (Valerie Coghlan in Books for Keeps) |
One of the best things I've ever done
is to write This anthology of writings on war and peace raises money for UNICEF's emergency appeal for the children of Iraq. PLEASE BUY IT NOW. |
Nominated for the Kate Greenaway Medal 2004
Aren't they lovely?
These are the reindeer from 'Fox Fire' published
in the anthology A Winter's Night (Stripes £4.99). The story is about a young reindeer's encounter with a mysterious white fox, before he witnesses the amazing Northern Lights. The anthology also has stories by Penny Dolan, Karen Wallace, Malachy Doyle and more... It has delightful drawings by Alison Edgson. Buy From Amazon |
Look out for my story about a dog called Wizard which has been published in Winter Magic. | You'll know from The Shaman Boy and Cloud Cat that I love snow leopards. Here they are again, in my story Two Little Snow Leopards published by Stripes in Winter Tales. |
AND |
there's yet another slice of best selling
Italian 11 O'clock Chocolate Cake, with a little
cake on every page. This is a new paperback edition! |
What a surprise to find my story Kylie and the Can-Can Beans in this Puffin anthology of Stories for Nine-Year-Olds......... |
We went to Ithaka (near Kephallonia, Greece) last June and
sailed out on a caique with Jamie the marine biologist. Click on the
cover of my book to see what Jamie found! We watched this magnificent
octopus for half an hour in a tank of sea water. When he was put back in the
sea he swam home using his jet propulsion - can you see his defiant plume
of ink?
The Littlest Owl is
out in paperback. 'One goes to a willow tree in Canada, |
|
These Little Owls do get around |
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and NOW: |
'Two things immediately stand out: the warmth
and originality of the characters, and the richness of the imaginative
description. Reading the book is a sensual experience of shape, colour
and texture… the startling use of imagery and language point to the fluid
and unsettled nature of reality, throwing up questions about how we see
the world, about freedom and choice. Luka, a blind boy, discovers that he has the power to transfer his spirit to move with an animal, allowing him to experience the world from a stunning variety of perspectives, to marvel at the miracle of the universe. Sharply contrasted against this dizzying world of possibility is the harsh reality of a village suffering the trauma of recent war. The orphan children love to hear Luka’s stories but Florin’s ability to process any story or information is reduced starkly to “bang bang dead.” Ultimately, The Shaman Boy is a book about power. Luka must move between the powerlessness of fear and the power of imagination, love and infinity. ..' |
|
Click on the book cover above to see the
characters, hear Luka's tune and read more reviews. |
Berlie Doherty describes The
Shaman Boy as 'a feast of a book'. |
This is the beautiful second
edition of Mariana and the Merchild. It was great to meet a real life Mariana in Assos - Hello Mariana! |
Silkscreen has won an Arts Council Writer's Award, and was nominated for the Carnegie Medal. 'This is a powerful, moving and suspenseful story about loss and despair; but also about how good wins through eventually and how hope can triumph. The writing is excellent - the pitch,the pace and the juxtaposition of modern life against a Victorian background are absorbing and adept. A gripping read.' (Sheila Wood in The Bookseller) |
some more of my picture books | or | my earlier work |
You can order Caroline Pitcher's books in shops and online bookstores
A very good online bookseller is Hive
.They will donate to a bookshop of your choice and do not charge for delivery.
Click on the picture below to visit Scarthin Books:
or better still visit in person.
You will find every wall covered in books, new and second hand, and friendly
staff who live and breathe books. If it all becomes too much you could stop
off in their cafe for some delicious home cooked food and proper coffee. They
regularly host talks by local authors.
www.cybermouse-multimedia.com
have published new editions of some of my books.
Do you need a Spanish translation? Try www.connectingwords.co.uk
Kathryn White writes great books - see www.kathrynwhite.net
or of a wonderful writer and wonderful friend Berlie
Doherty
or of a fantastic writer and fantastic friend Patricia
Elliott.
Some other lovely book people are: Hilary
McKay Sophy
Williams and Jackie
Morris.
See the publications of a small Nottingham press Five
Leaves.
Bridget Mackeith has illustrated lots more books www.bridgetmackeith.co.uk.
I was involved in Megaread for www.thelauracentre.org.uk
You can e-mail Caroline at lineyATcarolinepitcher.co.uk
(replace 'AT' with the usual)
Luka's tune from The Shaman Boy was written and played by Max Morgan-Johnson.
You can hear him play or contact him here
www.maxonsaxmusic.com/
Follow
@lineynell
NB The publishers listed are those publishing the books in the UK - often different publishers are used in other countries.
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All texts on this entire site are the copyright © of Caroline Pitcher
unless otherwise attributed.
All illustrations remain the copyright © of the artists acknowledged
herein, or their publishers.